Saturday, April 23, 2005

Constellations in December

From website gregglory.com



Written by Gregg Glory (Gregg G. Brown)



Constellations in December




Copyright 1990 by Gregg G. Brown

This Book Published By
BLAST PRESS


Text File*
Palm Reader*




Contents

Xavier Descends His Soap_Box
Cloudy Apostrophe
Remote Chiaroscuro Enters West Virginia
Among the Shadows
Flatterers Among the Roses
Loquaciousness in Louisiana
Aperitif in November
The Condition of the Furniture
The Mannikin Grown Large Again
A Capella, A Cape, Agape
Solar Resignation
The Native Muse of This Rock
The Butler of the Weather
Variations on a Viol
Mud Slide in Vernal Weather
Fluxes of Ephemera
A Questioner of the Weather
A Mockumentary of the Sun
Dead
Socketless and Sailor
The Silence




Contents




Xavier Descends His Soap-Box

 
Every day there was a little less of himself,
A moon of diminishing hues,

Less and less, as he strode from the balustrade
To the roses, each night a different leaf fallen,

Each day a new ambivalence in the sun's assertions,
Proverbial gold in a stale world

Where the water tasted tinny and the tap spat
Erratic chuffs of water in an empty cup

And something or other had died a day earlier,
Had died and had its poor death recorded,

Less and less itself, or its wintery twin,
Pacing from the terrace to the garden.




Contents




Cloudy Apostrophe

 
Calmed lightnings in the evening sky
Shuttle, like warm humans, from sty to sty.

If ever there were an evening readiest
For comparisons, gilded in flashes, half real,

It is this evening, blotched by light,
Spumed with cloudy figures of our imagining.

And so the erratic discharges of our thoughts
Are themselves significant,

Indicative perhaps of the circuits that we make
Circling one disaster and another catastrophe,

Symptoms of a discord so profound,
Malevolent fragrances of black, pitted things,

That long-fruited hopes have withered, and everlasting airs
Crimp their silvery middles tiredly

And the brazen horizon awes us a little less
With its simmering magnificence

Dull a little, and a little cold even in summer,
Shunted to one side a little, and old and used.

Wormy lightnings, restore the discords of your colorings;
These are the makings of our end.



Contents



Remote Chiaroscuro Enters West Virginia

 
Is it a death of the self, or of the self's
One projection, fatal ray, deadliest beam

Unfolding from out of a stillness the self contains
Like scissors, or a dove's placid wings, abruptly flown

From brooded palms, this quiet that returns
To the stone house, empty and white

In a whiter air? Something deeply tired
Has taken the place of the cows,

Still morose, filling the entire structure
With placid breaths, but what is it?

Is there, in this fix of airs, an extinguishing anguish
That broods from the barn, the tired reds

Falling in the air under a Dutch hex
And a soggy roof buckled by the weather,

Something that ticks in the empty hayrick
Or yawns from the creosote timbers

Leaning together a little in the space left
By the solemn breathing of the cows?





Contents




Among the Shadows

 
The pines in their shadows are distinguishing themselves
Detached in a softly shaking emptiness

Separate from themselves and their riveting greens,
Voraciously vivid, beyond coughed words,

Beyond a last leaf stretched in a last silence
Like Hamlet at the vacant end of the meadow,

Dying in summer, breathing a last breath
In the final rye and grasses, seeing the trees loud sway

At the rim of the yellow field, shaken
Softly, softly, following a blue track through the pines.



Contents



Flatterers Among the Roses

 
Does the moon sail in its sumptuous heaven
Disfigured by pity,
Blindly tearful in an icy lair?

To walk in the moonlight, to trod
The verdant ambers, and to think of nothing,
What sort of matter for a poem is that?

Is it a matter of having nothing
In the mind, icy sequester
Of nothing, of nothingness layered in its own absence?

Or is it a matter, rather
Of nothingness icily conceived, icily meant?
It is a matter of sinister consequence.

To walk in the violet moonlight
Discussing the moon from which it flares
Disfiguring the roses

Is a kind of nothing, a suave
Hollowness that we may hold near
Or suspend between us as we walk.

O savage celestial, misty moon,
Snarling in your lair, speak,
If speak you must, in dismal syllables

Some more blatant human meaning.



Contents



Loquaciousness in Louisiana

 
Picaresque birds cry hi-yi-hi
From the lustered branch
Festooned with ants.

Crocodiles mustered in the bayou
Flutter melodious tails
Under oaks.

Captains of the stratosphere march high, march high
Stepping the squalid dews
Of gaudiest clouds.

When the marshal of the swamp cries hi-yi-hi
It is his essences' valence
Neatly strummed.



Contents



Aperitif in November

 
Standing a long time before the pond, in November
Standing and looking at nothing

Or looking and forgetting it is oneself that looks
One begins to think

That the sinewy residue at the bottom of the pond
And the pond, and one's consciousness of the pond

Moving over it like an enigmatic cloud
Are one, that the famous watery veils are no longer

Waiting to be torn, or that, torn already,
They have left only these sinewy shreds,

Gluey blacks thinly dispersed in the space
Between the self, astutely observing,

And the brown pane of water that lifts the clouds
And the bottom of the pond.





Contents




The Condition of the Furniture

 
When the house stands empty, the rooms disgorged
Of all the crumpled laundry daily life imposes

How conditional our maundering sorrows seem,
Another routine, like sleep and death,

Engaging our restless spirits
As soccer in Brazil, the overnight weather,

The uninhabited chair, weighted with fringes,
That stares in the leaning mirror morbidly

Or the dirty shovel that leans in the garage,
A little old and uselessly, by a mended fishnet.





Contents




The Mannikin Grown Large Again

 
One has lived long enough
Among rusted hills, and the solemn sunlight

Spinning its steel shadows out of itself
Over those hills, thickly gathered at the arbor

Where matted vines still move on the latticework,
Purple embrasures, seeming almost to speak

In a light that is constantly fading,
Shifting its emphasis, a sliding center

That creeps over partial hills,
Real where revealed, invisible elsewhere

Full of hidden masses and interior kisses
The way a sliver of grass is an entire field of grass,

The way a man represents a man,
Without feeling, in the inhuman landscape.



Contents



A Capella, A Cape, Agape

 
Dun Madonna, caped and veiled
By modest night, the color of shale,
Unclench the spools
Of moroser weather
Tucked by fingers beneath your vermillion cap.

Unclench the spools
Of angrier rains and redder tornadoes
From your tense cap
While the violet moon's sisterly sap
Drips bip, and bip, and bap, bap, bap.

Her slender tongue
Unwrapped the whitest portions of the night.
In the hills, green winds prevail.





Contents




Solar Resignation

 
The sun, scintillating cadaver,
Refusing blue, or mauve, or sincerer purple

For the great step he was to make that day
Entirely out of himself and into the world

Where dull mauves congeal, purples espouse darkly,
And blues irresolutely go blank,

Unpacked his scalding instruments in the dark
Listening to the machinery of crickets, grown tired,

The imperceptible brrr
Of cold discomfort that enmeshed their foils

And, tired himself, threw the rude cash of light
In the moon's urinal.



Contents



The Native Muse of This Rock

 
The native muse of this rock
Wakes dumbly in the morning mist, and in the garden,

Attaches itself to a cockerel by thin tins
Of light from the bleakest planet;

Wakes, and stumbles about the house in a robe, having
misplaced
Dawn's engines, the consciousness of a dawn

In the folded dark of sleep, last night
When, by the bedstand, it seemed a few syllables had made
life cohere.

The native muse of this rock, dumbly awake,
Preens against an obliterating light.





Contents




The Butler of the Weather

 
The butler of the weather,
Essential lumin on a globe gone dark,
Parsed us out upon the table
With a certain ceremonious, filial delicacy.

What we were we were, without detail,
And so was he, tracing his investigations out
The way a dachshund traces the motivating fuel
Of furtive foxes darkly red.

Even so, rising to its perch
A bird of poignant recitations
Cries sky and sky and sky
In American barrenness.

Each thing in the evening tried to find
What sort of thing it was, and how it had arrived
In the evening of which it was somehow a part
As stars descended

Over Florida.



Contents



Variations on a Viol

 
The builder of cellos in solar weather
Extracts a suavity from knots, true trills
That mock the swilling catbird in his royal chair.
But from what seed increased the pilfered wood?
Farm boys and their milky maids grown old
Must, as hale timbers rudely weathered,
Must strain, and crack, and, in their scale, break
Remoter love's fiercest chord, dwindling
At length as even the grandest cock
Goes rolling, listlessly, on to noon.

II
Blue rabbis without hats are chasing still
What rabbis, bending at their lamps, construe
To be the bright perennial, in renewing hues
Emerging, out of so much ephemeral dust.
Hearers of thunder in their flamenco capes
Make much of its minor terrors and mimic hate;
Dividing time between one disaster
And another catastrophe, that kills,
They are like drowned rabbis beholding doom
In a stoven ship of their own imagining
While blazing fish peek about their bones.





Contents




Mud Slide in Vernal Weather

 
You can see the earth shake, no doubt,
Its myriad images
In your broken glass.
You can feel it, no doubt,
In your tenebrous nails.
Or in the nervous laughter that the sky
Shakes down.
Pointed voice, mixing blues and browns
In a vivid mash that riffles the eye,
These solids, and these,
Remain impenetrable.

O how I regret not having killed
The mouse in my childhood.

Enfold me, lucid muds,
I would go cloaked in earth the way a duck
Dons water.





Contents




Fluxes of Ephemera

 
for Amy

Disconsolate in the deepening weather
Of a miserable December,
Cincinnatus made a house of song
Pinching out the solar imperative
From other, more miraculous strains
That salted the winter air
And coated the simple ice on the porch.

Without aids in impossible weather,
Cincinnatus made a house of song
And took up, in primitive measure,
A primitive abode.



Contents



Oh let the Light Be Broken

 
Oh let the light be broken
That soaked and solemn
Out of the sun's mouth spoken
Climbed the virgin's hide
And the grave of her face.
Be buried in the stolen stone
Each word of sight
That from the tongue's priested
Memory is severed
Hunkered in the seed of the cold.
Oh let the light be broken
Over shackled genesis
Until the husks have spoken
Word and weed and sizzling stem
Out of the grave of her face
Alive again, and the once burning
Turn of the world
Stumbles back to ochre.
Let man and woman and infant dread
Out of harrowed heart
Lain long and solemn
Step from the narrow incision
Speaking in leap years
The carved distresses
Scourged in the drop of a tear's face
Hanging and grieving
After its home of fruit
Under bruited tree
Bruised and fishnet against the sky
Solemnly detached as a leaf's face
Ghosted on stones
Waiting for the last hanged man
To dive alive at last.



Contents



A Questioner of the Weather

 
Less and less sure, O soul, the rain
Repeats its residuum
Blanking church bells with its ultimate referent:
Itself, or some other final thing
That bears the buffets of ceaseless existence
Like a paper that rolls over in the wind
Or the wind that rolls the paper, which,
Startled itself, is full of paper sounds
The mud on the moon illumes.

The rain is rasping against the panes.
A dark, familiar change,
Elusive elysium, starts at the edges of the ear,
Chewed by flies in a forgetful sun,
Hollow as a father's falsest word
Before drunken dinner, sheds its drunkenness
On a few, familiar objects.

What word will ward these mute excursions?



Contents



A Mockumentary of the Sun

 
One bakes and waits in the roisterous sun
Tapping out universal time with a particular foot,
A principle shoe, worn leathers unable to reflect
The merest shard of all that solar crisis
Burning in the sky and in the apperceiving chest
Like boxed jewels winking out of showiest velvets.

One waits for the desert to be done with itself
For the holy sequoias to drop their arms,
One more martyr, torn down by storms,
Reduced by the sun to one skull of dreams
Throwing one more shadow away from the hill
Like a river that flows out of the mind at last.

This earth of cakes and sweet excrescences
Lets us eat the loam, lick saccharin sands
From our lips, taste smeared blazons of cotton candy,
Raspberry and chocolate, the florid saps
We bite from the tree, laden with glistering fruits
We ourselves have made, and ripened in each eye.






Contents




Dead

 
What has life's bitter disappointment brought
Laid in a narrow, breathless bed?
Shall we curse all our drunken, muddy lot
Lain with long bones of the dead?

At the end of a rifle or parting stream
Pursued by a pursuing dream
Man wakes up to find his enemies again,
The end of dreams, and all friends dead.

What stays hid in the marrow there,
Thrust deep underground?
Things purposed in the unpurposed air
Die when those men are dead.

Whether father or brother still pursue
Their work, or others' work, I do not know;
I read it on a narrow, upright stone
Cast by the long bones of the dead.

Fathers sacrifice long-loving sons
To a nameless, breathless bed;
Stand we under an island sun
Or lie with long bones of the dead?





Contents




Socketless and Sailor

 
Socketless and sailor
In the world's winded veins
Scented genesis and coffinsilk
I mock the soberest cockerel
Diving from the prism-spitting
Pinnacle of the world's mast
Uselessly singing
And rant like a wronged girl
All my sweetest notes
Over ignorant houses
Slumbered in death and morning light.

Out of the closeted shout this echo beats
Features of a sinning man on tin
More pressed to anguish in a dial's sigh
Than any victim of time heretically cried
Has been bludgeoned by suns
Or a pauper's bliss been
Crimped in a penny's fear
Or any tale of the world
Cauled in a scorpion's sting
Has twisted its smile on a man's side
Or any climbed tirade
Spoken in wishes
That nature's weary fabulist
Set down.

Graveturning in wishes
As a wish is a kiss
My manbones shriek
In blooded inks
Out of a rage welled and calmed
As any bird's ratcheted turn
Over the thumbing sea at dawn
Crawls at clouds
In inching desire as each wingbeat clips
Over measured cessations
Chewing ships and bones to flour.

Out of each brick
The cold dawn shakes
And each root tooth of daisies
Cragged in the fingering spring
Floods pulse and fever
To ramshackle gods agog
As saints in whispers
Each aghast their closed wings keep
Singing of statuary
And the boiling joy
Of the devil's boyish kiss.

So I this saintly mort cry down
And each nailed lip kiss
Quagmired in hatred
Tried and hung, on pentecostal cross and hatch
Birthing the blood plant
Insisting in stitches
For this world the word's wound.
So I, crumbling on windfall,
On sold bones and the tarot told
Watch hatred disaster, man and god fall,
And all loved things end.





Contents



The Silence

 
On undemanding ground
Shot through with hollow sounds
Bird or bullet make
Or some other keen cry, I take
This man for model, though in truth
A small man of the town; and although
His grandfather was a thief
And his father worse than that,
I respect his grief, for what else can I
That wander in the clay?

There was a man had died
Frozen to the mountainside
And, nothing in his climbing pack
And less upon his withered back,
He ascended the wintry peak
Sang a rich bar tune and died.
It was out of pride
The old man had died.
He gripped a flute, knew God's great lie,
And had a clarity in the eye.

And at the last, a damned wretched gaiety
Suffused his frame.
Mountain echo upon echo
Hollowed out his fame;
Dying, trying once again
To empty himself of troubles by the score--
"This joy of death
Stops the breath."
In the trees, excited laughter;
And after, the silence.



finis