From website gregglory.com
Written by Gregg Glory (Gregg G. Brown)
The Cabana at the Equator
"When I was a child, I spake as a child...."
Gregg G Brown
Copyright © 1986
The Parent Tree
For Tenor Semblance, Who's Dead
Moon-Chant
The Cabana at the Equator
Ein Parable
Transmutations of the Solid State
Perception at the Center
The Parent Tree
It was in singing that he first
Knew that worsening was not worst.
His father's large disappointed face
Tickled him inarticulate with terror
Until he forged,
Below sharp time,
Monster suns of images.
Invented heaven has a charm: litter
Of apostles, magenta trees that dissolve
As vapor, where golden sparrows sing
And do not sink. He thought
One wanted seeming,
An altered
Strangled attitude of bird.
A harsh man's countenance wavered
In ocean distortions of the moon.
The kneeling son felt a burning prayer
At his back, and ran, and ran
In stark fright
On broken bones
Beneath a salt-dead tree.
For Tenor Semblance, Who's Dead
"What things real are there but imponderable thoughts?"
---Ahab
There was Tenor in his party grave, sharing
All of the same old sick jokes with himself.
1
He says, "What is there besides imagining?
These four occasional walls will not bring
Spring or sorrow to any unsuffering thing.
It is the will that wanes, in summer dark,
After clogged stars have scraped the sky and left
A newer dark for some cold singer's questioning.
Rusted apples gathered, honey melons dusky gold,
Cherries rosing in the tinted sun, what was invented
If not these things? Shall my hand remain
Unfloured by its own effort? A pointed oar
Plunges and plunges in a white war and remains
An oar. The mind is not so meager; it becomes,
Once its rent raiment roars, in polychromes
Above chalk waters that it held and gave,
That of which it sang and did not hear, because
Too busy singing in undivided, tensile mystery."
2
If. on the wings of sparrows, men's feet shall flesh
Who shall fly, in contrapuntal destiny,
In waltz time, alone, beneath
The unceasing testament of the waves?
Tenor Semblance in his water-wings, bulbing
At his back, held his breath and dived, at 4,
Into the tossing terror of a tame sea.
Once caught among the coral's shadowing, he saw
The flash and error of dying fish in that dim maze.
Their antlered looks and opalescent eyes
Placed a holy horror in his slalom breast
Racing, among more mobile lights, out of death's
Abrupt shade. He knew of earth by this buried paradise.
He told his parents of the sharking waves and sea. Alone,
His executed gestures in scarred sunset seemed
The switch-back hesitancy of leaves.
3
It was his mother's going, her poignant death,
Like still water, that made him hear
Curlicues of God's named trumpet, world.
A French horn paddles in his ear;
Finches mocked the minister at her wake, his frown
Emitted solo labyrinths, corona icicles of sound.
Tenor Semblance, leaving, knew his feet
were tambourines, clashing in the grass.
And when he whispered, it was with sorrow
That he could not sing himself a barrow.
In her twinking time upon this mortal orb,
In laundered air, tender sequences
Of love and love, flashed from her bright center
Like perpetual suns that sang and knew their tune.
It was because of her he sought
A personal, vocal dew.
4
Semblance swelled in his soft decor.
Like an awkward Alice, he used his vital eye
To distill a separate scenery in the dwindled grass.
Little thunder smoked the mountaintops.
Gnats as vultures bulked silence on their prey.
But a swung censor, sacred scenting, never lends
Its incense to these more airy tendencies.
Neither garland of flowers, in a stiff ring,
Nor any distincter bloom was worn.
Victim in winter, he tried to say
The measureless landscape he became:
Desolate branches, details of packed snow,
Paired tracks of deer, or south-seeking geese
Dispassionate as the sky. There comes
A crowd of moths, an abrupt lamp flapping
In discontinuous circles as he speaks.
5
But should we sacrifice infinite finesse for that
Snowblind and last, fatal profundity?
Sonless Semblance once, with gagging glands,
Turned abrogated Pa; the wincing world
Trickled from his groin. He clawed out an eye
And dived, lost in a reef, resulting in a sky
Made blue, by harshest imagination, by
Exclusionary rules. Was it a mincing butcher's
Cleaver thumb, his abusement of a One,
Chopping up the single digit we pretend?
False finesse? The sky was blue; he claimed
To be the author, and his grave
Was dug in blue; bluets brushed the edge.
His mineral bones are scavenged by worms that die.
Thus we see, beyond cut division or misty ending,
Death is daughter to imagination's venting.
6
A man is image and is sound,
Imagining sounds; a blare of being
Scribbled like a cloud, pinched nothingness
Palely resembling himself, in a mirror;
Unalterable shadow, that falls
As seasons fall, in whitest trumpeting.
Thus was Tenor in his dirty grave,
In severest evening, uttering
A few, essential words. In his halter,
Dawdling day undid the staunching fist
Of night, and materbirds like mandolins
Twanged his very song. They were his toys, who,
Hautboy accountant, made of his breast
Final register. A second heaven, set
Beside the first, is best, when we forget
Ourselves in what our wish of death becomes.
Moon-Chant
A dead cork moon erases, shams
The swift subscription pediments of light---
Blanche magician's hand before a card,
Eternal current voyager of sight,
Endlessly inscribed.
You, who section out the broken
Window's fragmentary glaze
In gold, auroraborealis ruins that shake
The scattered genet weedlings here of late,
Untranslatable deathcard of all hate,
Who full-sail mocks the sun, know
I come to dance beneath your fake
Hepatitis curve of being, welcome skater
Who deals with a slick grace the last
Mother-admonishment to poker hands.
Lilies launder moonlight in the lot.
A moving silhouette will break their dust:
Imagination is its own remorse
Recalling ancient beauties, one by one, until
The reinvented dead ladies emerge
From the trapped torrents of a late laboring mind
And coo and call and sveltly wend their way
To demand in time imagination's final lie:
Its death; at last, to make
One monumental animate corpse of fate.
The Cabana at the Equator
1
Dutch decorations groom the hours.
The parted dark resumes its essential black,
Its pasteboard panache, dressed blues of indifference,
A more vital seem. Still the old men dicker
In deeper dusk, realer hues, from
Below the perch of being in parrot patricides
That consume the expert, whistled throatings
Of loftier loons, whose red retina shift
To scan a level heaven, unplummeted.
2
They were like the colors of these things.
Old men of the river rocks, disparaging
Old men of the river rocks in pairs.
A portion of the evening looked down
Among palm fronds and purple sand, and glared
A nimbus of new stars that pierced
A rarer dark than thought or action formed,
Whitely condemning with unalterable blare
The blandest barb of neutral fact.
3
The oceans stars were reflected in the men themselves,
Their trudging bucket hearts and bleary souls. Chrome,
The streaked adjustment of the light, apt intrusion
Of subjective singe and burn, shook step by step, until
The stars were lost because the total sea was stars.
Their stony heads moved in unison, great grey rocks,
And tumbled towards the momentous moment of a cliff
To invent a waterfall. Their old hearts poured
Whiter than before, among dashed rocks that babbled
As they poured.
4
But who can carry empty starlight in his purse,
Or sew together toes for fins, hands for wings?
The ancient bretherns' hearts must fail.
They flop as they reflect, endlessly; a soul
Must take a darkness from its carbon work,
A scattered semblance tinctured of its grain.
etched pine swamped in black ink retains
The arbitrary suaveness of its growth, carved above
The image of twelve men like trees.
5
Wrong boys threw up spectrum dust at sunset.
they beat the rocky heads of elders viciously,
Like drums, like drums, like drums, in time
To the whirred sensation of white wings.
Their dewy hands hardened with a thought.
Imagining, they made their pockets weighty
With caught stones. They leapt, leapt, leapt,
Without their blue bodies diminishing. Imagining,
They braided their loose fingers into beards.
6
Twelve boys danced in violet night, in a communal
Hymn that offered nothing brutal. It was their game.
This they knew, their short spaghetti beards and uncut
Minds like bangs, in diamond time forever ripening,
Took the minor light the unspent stars had saved
And poured it on the orchard's hair, and fissured earth
Like wine. Their sweet limbs were never heavy
In that sleepy paradise. They chant aloud their names:
Impatient to insistent hands, moving as they mend.
7
I descant upon a dusky theme
Illegibly. What there is is this:
The men are trees. The men are rocks.
They mar and mark upon each other ceaselessly.
There is no outside agent agitating. They invent
Themselves. The clock is riveting their veins.
They have never seen a star. They fly
On fins. And all of this I saw in some
Mirror-making, mirror-resembling dream.
Ein Parable
Up from the coral came, loud and lost, disguised,
The boiled apparition of a one-time man;
His pockets bristled brine; an oyster clipped his nose,
Pearless. The ocean offered him, we
Could not deny the gift, without endangerment; without
He had the outer aspect of a tardy sacrifice.
The closed committee of our welfare
Immediately convened. They sought, they said,
The last abolishment of will for justice's sake.
The man hobbled off, in winsome chains,
To the hanging place,
Dragging upright flippers of glinting gold.
Transmutations of the Solid State
Amber uncertainties of day decrease. Cinema skyscrapers,
Ice-strong in August's simmering, by custom,
Strain, vertical ambassadors of a raindown faith,
Unbuttoned pageantry of striptease
In mineral prayers by crystal seconds click
Skyward where the welter minutes works
Oblong in loss, incomplete, reversed
By hasty tobacco minutes of falsity
Puffing from a face; casual, displaced---
Break the blue nerve-strings from olive eyes,
And amber eyes, that we may see you once unclothed;
O beauty with a mind to terrorize!
O ghost that haunts and leaves the self undone,
An abandoned shoe of spirit amid---
Radiant presentment of headlights, streets
Too seeming-perfect to harbor scars,
Rivers of the face, deep windings
Of the conestoga's strut, Manhattan accolades,
Segregated tenements of hilarity, lets
The lost sea rage alone its winner-take-all
And spaded waves. Those with taper memories, burn
In silent aquatic lives, cinched tendencies
Of gain, condensed and closed
Soliloquies of the inward gaze.
Recall, love, the angled awnings that louvered
In the street and rescind their makeshift wanton
Gathers and their stays that stripe
Jazz consistencies of dreams, locked arms of thought.
And freedom of the broken mind spends night
Like fragment glints of pennies, dimes,
In an uncertain, subway sallow tenement
Linking past and time and sanest beauty immutably.
How many hands have lent their grace and power,
Past strict steerage of the sky, agile abandoners,
To build with conscious thought of staying these
Sandstone monuments of dreams?
O lordly city, living sepulchre! Never unwind
The beaking strangulations of your light,
Clipped and clipped, astute on broken boxes
And bandaged lives.
Twenty hundred thousand move out
In convict kicks, coral syllables of mouths
Uttering lovely convolutions in sharpest salt
that brims some vast veins' vented tension flow.
O river city, sapient of light, there is more
In the level skeletons of your praise
And mazy words than you or I, leaning above
Any silver quay, may guess in any
Sun-silk scattering of days.
II
Music in the mind is water
Spelling white mansions in manacle light
By sloppy oceans, by Atlantic blue.
The boats became a syncopation of the art,
Swift cutters paddling up to start---
Jutting in some over-occasional spray....
Splay, the tragic motorblades that mix
Bones of rubies, your lost and salted eyes, resolute
Of oceans, seamed into one white salt.
Who can take the tiger-chime of arced spray
Away, deep among the dimensionless swoon of day,
As diamond-dusted angle-trees cure a blue?
Loops of light on clear glass circulate endlessly
As the shadow of some unbent beauty
Blends an anchorage with graphite spillage of its heart
In one still spot. Tranquil water takes
The unaltered burn of day and rainbows it abroad:
Exact bright bands of unconquerable split light.
III
She stood in her summer arsonage, complete;
Her arms shoved beauty to the brink.
In the rapt child-sway of her body blessed,
She liked to watch it totter.
Allocate of praise, alone in lividness,
Her Cleopatra charms derange a face
Made numberless, the legion losses
Summer and moonlight conspire to take
In the shrill seconds preceding birth,
Blazing awkward apt adjectives of light,
Explosions of burnt rose, blasphemies of sight:
Her embarrassed breasts consoled a sigh.
With bicycle moods of syllables, wise
Soft sofa ministries of age displayed,---
The scrubbed violation of too many hands
Already resting after
The aching dilation of too many years.
Opinionless as steam in vapor rage
The undiluted, vast minions of grey age
Remain and inculcated the glass world's verdure.
O mirror-girl who swam with me!
Your otter plash alarms, quelled seemings, balms
No untethered slash of wind will solve
With treasured fingers, knives of burnt cellophane,
Remain to dissipate
The slight indignations under fiber lies that
Display and disingenuate
The twenty mobile armistices of face
In alcohol alacrities of soul. You blinked
There, in antechamber emptiness of air,
By a blank slant sea
Shelving its green shoals in coral fashion
Against the petticoat interiors of railroad stations:
The lazy, shoved accoutrements of waiting.
We were everywhere at once, one summer.
Her working woman's apple-soul
Daunts momentously the unworked opinions of stars
---Daunts in a moment's unmaking
The slipped and gradual symmetry of stars.
white velvet siftings of the filter moon
Slept in lonely pages of the leaves;
Sister swelter of the sapphire sun forgot, they became
The downward shaft and symbol of desire.
Perception at the Center
Chaos is eccentric else, among the green
Habiliments of this disease,
This earth, this atmosphere
We sicken of and breathe. The arrant mind
Ticks like a cockvane in a white sky.
Blackly circles the tragic thought of death
Around an empty farm: the false, shadow-sharp
Concern that it invented. Past tipped buckets
And abandoned calves, lonely for their mothers,
Sick-eyed mermaids maunder in their scales,
Electric after
A crumpled pail
Of the pure, chiaroscuro myth.
